Dutch painter (b. 1580, Antwerpen, d. 1666, Haarlem). Related Paintings of HALS, Frans :. | Portrait of a Woman fa | Isaac Abrahamsz Massa | Family Portrait in a Landscape | Petrus Scriverius k | Portrait of a Seated Man Holding a Hat sg | Related Artists:
Barocci, FedericoItalian, 1535-1612
.Italian painter. The leading altar painter in Italy in the second half of the 16th century, he enjoyed a greater popularity and exerted a more profound influence on the art of his time than any of his contemporaries. His patrons included the Pope, Emperor, King of Spain and Grand Duke of Tuscany, and among his admirers were Lodovico Cigoli, Annibale Carracci, Rubens and Guido Reni. However, his work did not begin to receive the acclaim accorded that of Tintoretto or El Greco until the mid-20th century. Several factors have obscured his importance, notably the relative inaccessibility and scarcity of his painted works, most of which were done on commission for specific locations in remote parts of Italy (where they have remained), and the type of painting he produced, which was almost exclusively devoted to religious subjects. He executed very few easel paintings. No autograph example of his painted work has ever left Europe, the portrait of Quintilia Fischieri (c. 1600; Washington, DC, N.G.A.) and pair of portraits of Federigo Ubaldo, Prince of Urbino
mauzaiseprincess adelaide dorleans taking aharp lesson with mme de genlis,c.
1789
versailles, museum
Pedro Blanes1878-1926
Uruguayan painter. He first studied painting and drawing as a child with the Catalan painter Miguel Jaume i Bosch. As an adolescent he moved with his family to Spain, where he studied at the Real Academia de Bellas Artes de San Fernando in Madrid and frequented the workshop of Santiago Rusieol. After studying in Paris with Benjamin Constant, he visited Italy and Mallorca, where he first developed his talents as a landscape painter before returning briefly to Uruguay in 1899. During another prolonged visit to Europe from 1902 to 1907 he enthusiastically studied the work of Pierre Puvis de Chavannes, Lucien Simon, Henri Martin, Claude Monet and James Abbott McNeill Whistler. After his return to Montevideo in 1907 he painted shimmering Impressionist-influenced landscapes such as Palma de Mallorca and treated local rural and urban scenes in which he established himself as a remarkable colourist. He also commemorated subjects from Latin American history in works such as Artigas Dictating to his Secretary Don Jose G. Monterroso , the equestrian portrait of General Galarza and Artigas in el Hervidero.